orange candy, 10 x 10 inches, 2011acrylic on aluminum It’s a fine line between “invest” and “divest”; between an emotional pull and an intellectual refinement; being savvy with history and roller coasting the abyss… and it is with this the fine line travels, ever changing in look and feel, never entirely free, though free of itself.I’ve chosen to send a set of works on paper and one piece on metal: the paper work is entitled “unframed, hung out to dry” that deals with space, marks, and slight difference. As color is not likely to play much of a role the work will enter another dialog, that of form. From this standpoint, of liminal experience, how much is needed to communicate a whole idea, or how little is physically there to stand in––as empirical, poetic––as reasonable or unreasonable, will be tested, questioned, and played with… much like life is.The metal piece, acrylic on aluminum, is a small robust piece entitled “Ice Candy” and is part of a set of four. It is bright, solid, but also ambiguous and playful. The physical presence is clear, however the spatial play convinces differently. The object sits austere, its subject another instrument.

orange candy, 10 x 10 inches, 2011
acrylic on aluminum

It’s a fine line between “invest” and “divest”; between an emotional pull and an intellectual refinement; being savvy with history and roller coasting the abyss… and it is with this the fine line travels, ever changing in look and feel, never entirely free, though free of itself.
I’ve chosen to send a set of works on paper and one piece on metal: the paper work is entitled “unframed, hung out to dry” that deals with space, marks, and slight difference. As color is not likely to play much of a role the work will enter another dialog, that of form. From this standpoint, of liminal experience, how much is needed to communicate a whole idea, or how little is physically there to stand in––as empirical, poetic––as reasonable or unreasonable, will be tested, questioned, and played with… much like life is.
The metal piece, acrylic on aluminum, is a small robust piece entitled “Ice Candy” and is part of a set of four. It is bright, solid, but also ambiguous and playful. The physical presence is clear, however the spatial play convinces differently. The object sits austere, its subject another instrument.